The combined power and application of these two libraries is near infinite. Together, these two libraries present the market’s first drum and percussion sound sources recorded in immersive sound technology, in the same room and ready for use in anything from stereo to 5.1, 9.1 and all the way up to 11.1 systems. Just like the Superior Drummer 3 core sound library, the Orchestral Percussion SDX was captured with close and ambience microphones as well as eleven additional room microphones set up in a surround configuration. Perfect acoustics, balanced reverberation and second-to-none recording technology – Superior Drummer 3 and the Orchestral Percussion SDX called for a superior studio, and got exactly that. This in itself is a pivotal factor in making the extreme velocity detail translate to its full capacity. In fact, with only 14 dBA of environmental noise, the main hall at Galaxy Studio is the most quiet recording space of this size in the world. In addition, the entire studio complex is built on springs to ensure that the outside interference is literally nonexistent.
With its 330-square-meter room measuring eight meters from floor to ceiling, it is the ideal location for capturing immersive audio of the utmost quality.
The Orchestral Percussion SDX was recorded in the same room as the Superior Drummer 3 core sound library, the main hall at Galaxy Studios in Belgium. Welcome to the Orchestral Percussion SDX for Superior Drummer 3. This is not just a sound library, it’s arguably the most all-encompassing and carefully captured collection of handpicked orchestral percussion instruments on the market. Captured in the same room, with the same scrutiny for detail and the same 11.1 microphone positioning philosophy as the Superior Drummer 3 core library, the Orchestral Percussion SDX is not just the perfect complement to the Superior line of sounds, it’s a revelation in terms of flexibility and playability within the Superior Drummer 3 framework.
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